Our greatest glory is not in never falling, –
but in rising every time we fall.
Striving forward has always been my motto, inspired by those who came before me. I know that not giving up doesn't guarantee success, but I'll run with all my might and achieve the goals I set for myself. To reach the top of sound design, no matter how long it takes.
I built the audio identity for Viral Impact from the ground up. I designed SFX with layering and Serum synthesis, composed adaptive music for hub and battle states, built world-specific ambience (WhatsApp, Instagram, Scam worlds), and implemented everything via FMOD + Unity with a centralized AudioManager.
A 6-month project where I worked as both sound designer and on-camera actor. The film promotes Münster by spotlighting hidden locations that tourists can visit, places not typically featured in travel guides.
A growing collection of sounds I've designed, organised by type. Click any entry to listen. New sounds are added as I make them.
A short futuristic laser shot designed for Canyon Racer. Built from a Serum wavetable layered with a noise burst and a high-pass swept tail.
A trailer-style riser built entirely in Serum, using three layered patches with a pitch envelope, automation on the macros, and a final reverb tail.
A loopable hub-world ambience for Viral Impact's WhatsApp world. Subtle digital pad layered with low-volume notification chirps and air movement.
A friendly UI confirmation tick designed for non-overwhelming feedback, tuned warm and short to suit accessibility-friendly interfaces.
No sounds in this category yet.
A self-directed exercise to explore how different keys, instrumentations, and genres evoke contrasting emotional states. I wrote three short pieces (chill, epic, and joyful) to practice writing on-brief for tone and mood.